G#maj7 chord on 6-String Guitar – FACGCE (Fmaj7)
in FACGCE (Fmaj7) tuning
G#maj7
Major 7
Notes:G# · C · D# · G
Piano Left hand Right hand
Fingerings (16)
G#maj7 shapes as text
| Shape | Frets | Fingers | Notes | Difficulty |
|---|---|---|---|---|
| 3 3 3 0 0 x | 1 1 1 – – – | G# C D# G C x | easy · barre on fret 3 | |
| 2 3 x x 3 4 | 1 2 – – 3 4 | G C x x D# G# | hard | |
| 3 3 3 5 3 3 | 1 1 1 2 1 1 | G# C D# C D# G | medium · barre on fret 3 | |
| x x 8 5 7 4 | – – 4 2 3 1 | x x G# C G G# | hard | |
| x x 8 5 7 8 | – – 3 1 2 4 | x x G# C G C | medium | |
| 7 6 0 0 8 8 | 2 1 – – 3 4 | C D# C G G# C | medium | |
| x x 8 8 7 8 | – – 2 3 1 4 | x x G# D# G C | medium | |
| x 11 8 12 8 8 | – 2 1 3 1 1 | x G# G# G G# C | hard · barre on fret 8 | |
| 10 11 0 0 0 11 | 1 2 – – – 3 | D# G# C G C D# | easy | |
| x 11 12 12 12 11 | – 1 2 3 4 1 | x G# C G C D# | medium · barre on fret 11 | |
| 3 3 0 0 3 3 | 1 2 – – 3 4 | G# C C G D# G | medium | |
| 2 3 3 x x 4 | 1 2 3 – – 4 | G C D# x x G# | hard | |
| 3 6 3 5 3 3 | 1 3 1 2 1 1 | G# D# D# C D# G | medium · barre on fret 3 | |
| x 6 0 0 0 4 | – 2 – – – 1 | x D# C G C G# | medium | |
| x x 8 5 7 x | – – 3 1 2 – | x x G# C G x | medium | |
| 7 6 8 0 0 8 | 2 1 3 – – 4 | C D# G# G C C | medium |
The G#maj7 chord (Major 7) is built from the notes G#, C, D#, G. Below are playable fingerings for 6-String Guitar – FACGCE (Fmaj7) generated for your selected tuning, ordered from open-position shapes up the neck. Tap a diagram to hear it, or switch to the piano view to see the same harmony on keys.
How the G#maj7 chord is built
Formula: 1 · 3 · 5 · 7
| Degree | Semitones | Note |
|---|---|---|
| 1 | 0 | G# |
| 3 | 4 | C |
| 5 | 7 | D# |
| 7 | 11 | G |
More G# chords
Other roots
See G#maj7 in another tuning
What notes make up the G#maj7 chord?
G#maj7 is a Major 7 chord built from the notes G#, C, D#, G.
How do I read the diagram?
Strings run left to right from the lowest to the first string; the numbers show which finger presses each fret. An ○ marks an open string, an ✕ marks a muted one.