C#maj7 chord on 6-String Guitar – FACGCE (Fmaj7)
in FACGCE (Fmaj7) tuning
C#maj7
Major 7
Notes:C# · F · G# · C
Piano Left hand Right hand
Fingerings (16)
C#maj7 shapes as text
| Shape | Frets | Fingers | Notes | Difficulty |
|---|---|---|---|---|
| x x 1 1 0 1 | – – 1 2 – 3 | x x C# G# C F | easy | |
| 3 4 5 5 x x | 1 2 3 4 – – | G# C# F C x x | medium | |
| x 4 5 5 5 4 | – 1 2 3 4 1 | x C# F C F G# | medium · barre on fret 4 | |
| 8 8 5 5 5 8 | 2 3 1 1 1 4 | C# F F C F C | medium · barre on fret 5 | |
| 8 8 8 6 0 x | 2 3 4 1 – – | C# F G# C# C x | medium | |
| 7 8 0 10 0 9 | 1 2 – 4 – 3 | C F C F C C# | medium | |
| 8 8 8 10 8 8 | 1 1 1 2 1 1 | C# F G# F G# C | medium · barre on fret 8 | |
| 0 11 0 10 0 9 | – 3 – 2 – 1 | F G# C F C C# | medium | |
| x 4 1 1 0 1 | – 4 1 2 – 3 | x C# C# G# C F | medium | |
| 3 3 5 6 x x | 1 2 3 4 – – | G# C F C# x x | medium | |
| x 4 5 5 0 4 | – 1 3 4 – 2 | x C# F C C G# | medium | |
| 8 8 5 5 5 x | 2 3 1 1 1 – | C# F F C F x | medium · barre on fret 5 | |
| 8 8 x 6 0 8 | 2 3 – 1 – 4 | C# F x C# C C | hard | |
| 7 8 0 x 8 9 | 1 2 – – 3 4 | C F C x G# C# | hard | |
| 8 8 8 10 0 9 | 1 1 1 3 – 2 | C# F G# F C C# | medium · barre on fret 8 | |
| x 11 0 10 0 9 | – 3 – 2 – 1 | x G# C F C C# | medium |
The C#maj7 chord (Major 7) is built from the notes C#, F, G#, C. Below are playable fingerings for 6-String Guitar – FACGCE (Fmaj7) generated for your selected tuning, ordered from open-position shapes up the neck. Tap a diagram to hear it, or switch to the piano view to see the same harmony on keys.
How the C#maj7 chord is built
Formula: 1 · 3 · 5 · 7
| Degree | Semitones | Note |
|---|---|---|
| 1 | 0 | C# |
| 3 | 4 | F |
| 5 | 7 | G# |
| 7 | 11 | C |
More C# chords
Other roots
See C#maj7 in another tuning
What notes make up the C#maj7 chord?
C#maj7 is a Major 7 chord built from the notes C#, F, G#, C.
How do I read the diagram?
Strings run left to right from the lowest to the first string; the numbers show which finger presses each fret. An ○ marks an open string, an ✕ marks a muted one.