A#maj7 chord on 6-String Guitar – FACGCE (Fmaj7)
in FACGCE (Fmaj7) tuning
A#maj7
Major 7
Notes:A# · D · F · A
Piano Left hand Right hand
Fingerings (16)
A#maj7 shapes as text
| Shape | Frets | Fingers | Notes | Difficulty |
|---|---|---|---|---|
| x 1 2 2 2 1 | – 1 2 3 4 1 | x A# D A D F | medium · barre on fret 1 | |
| 5 5 2 2 2 5 | 2 3 1 1 1 4 | A# D D A D A | medium · barre on fret 2 | |
| 4 5 5 3 x x | 2 3 4 1 – – | A D F A# x x | medium | |
| 4 0 x 7 5 6 | 1 – – 4 2 3 | A A x D F A# | hard | |
| 5 5 5 7 5 5 | 1 1 1 2 1 1 | A# D F D F A | medium · barre on fret 5 | |
| x x 10 7 9 6 | – – 4 2 3 1 | x x A# D A A# | hard | |
| x x 10 7 9 10 | – – 3 1 2 4 | x x A# D A D | medium | |
| 0 8 9 x 10 10 | – 1 2 – 3 4 | F F A x A# D | hard | |
| x x 10 10 9 10 | – – 2 3 1 4 | x x A# F A D | medium | |
| 0 0 10 10 10 10 | – – 1 1 1 1 | F A A# F A# D | easy · barre on fret 10 | |
| x 1 2 2 2 x | – 1 2 3 4 – | x A# D A D x | medium | |
| 5 5 2 2 2 x | 2 3 1 1 1 – | A# D D A D x | medium · barre on fret 2 | |
| 5 5 x 3 x 5 | 2 3 – 1 – 4 | A# D x A# x A | hard | |
| 4 0 5 7 x 6 | 1 – 2 4 – 3 | A A F D x A# | hard | |
| 5 8 5 7 5 5 | 1 3 1 2 1 1 | A# F F D F A | medium · barre on fret 5 | |
| 0 0 9 7 9 6 | – – 3 2 4 1 | F A A D A A# | medium |
The A#maj7 chord (Major 7) is built from the notes A#, D, F, A. Below are playable fingerings for 6-String Guitar – FACGCE (Fmaj7) generated for your selected tuning, ordered from open-position shapes up the neck. Tap a diagram to hear it, or switch to the piano view to see the same harmony on keys.
How the A#maj7 chord is built
Formula: 1 · 3 · 5 · 7
| Degree | Semitones | Note |
|---|---|---|
| 1 | 0 | A# |
| 3 | 4 | D |
| 5 | 7 | F |
| 7 | 11 | A |
More A# chords
Other roots
See A#maj7 in another tuning
What notes make up the A#maj7 chord?
A#maj7 is a Major 7 chord built from the notes A#, D, F, A.
How do I read the diagram?
Strings run left to right from the lowest to the first string; the numbers show which finger presses each fret. An ○ marks an open string, an ✕ marks a muted one.