C+ chord on Mandola
in Standard (CGDA) (C-C-G-G-D-D-A-A) tuning
C+
Augmented
Notes:C · E · G#
Piano Left hand Right hand
Fingerings (16)
C+ shapes as text
| Shape | Frets | Fingers | Notes | Difficulty |
|---|---|---|---|---|
| 0 0 1 1 2 2 x x | – – 1 1 2 2 – – | C C G# G# E E x x | easy | |
| 4 4 5 5 6 6 3 3 | 2 2 3 3 4 4 1 1 | E E C C G# G# C C | medium | |
| 4 4 5 5 6 6 x x | 1 1 2 2 3 3 – – | E E C C G# G# x x | medium | |
| 0 0 5 5 6 6 7 7 | – – 1 1 2 2 3 3 | C C C C G# G# E E | medium | |
| 0 0 9 9 6 6 7 7 | – – 3 3 1 1 2 2 | C C E E G# G# E E | medium | |
| 8 8 9 9 10 10 7 7 | 2 2 3 3 4 4 1 1 | G# G# E E C C E E | medium | |
| 8 8 9 9 10 10 x x | 1 1 2 2 3 3 – – | G# G# E E C C x x | medium | |
| 0 0 9 9 10 10 11 11 | – – 1 1 2 2 3 3 | C C E E C C G# G# | medium | |
| 0 0 1 1 2 2 3 3 | – – 1 1 2 2 3 3 | C C G# G# E E C C | medium | |
| 4 4 x x 6 6 3 3 | 2 2 – – 3 3 1 1 | E E x x G# G# C C | hard | |
| 4 4 5 5 6 6 7 7 | 1 1 2 2 3 3 4 4 | E E C C G# G# E E | medium | |
| x x 5 5 6 6 7 7 | – – 1 1 2 2 3 3 | x x C C G# G# E E | medium | |
| 0 0 x x 6 6 7 7 | – – – – 1 1 2 2 | C C x x G# G# E E | easy | |
| 8 8 x x 10 10 7 7 | 2 2 – – 3 3 1 1 | G# G# x x C C E E | hard | |
| 8 8 9 9 10 10 11 11 | 1 1 2 2 3 3 4 4 | G# G# E E C C G# G# | medium | |
| 12 12 9 9 10 10 11 11 | 4 4 1 1 2 2 3 3 | C C E E C C G# G# | medium |
The C+ chord (Augmented) is built from the notes C, E, G#. Below are playable fingerings for Mandola generated for your selected tuning, ordered from open-position shapes up the neck. Tap a diagram to hear it, or switch to the piano view to see the same harmony on keys.
How the C+ chord is built
Formula: 1 · 3 · ♯5
| Degree | Semitones | Note |
|---|---|---|
| 1 | 0 | C |
| 3 | 4 | E |
| ♯5 | 8 | G# |
More C chords
Other roots
What notes make up the C+ chord?
C+ is a Augmented chord built from the notes C, E, G#.
How do I read the diagram?
Strings run left to right from the lowest to the first string; the numbers show which finger presses each fret. An ○ marks an open string, an ✕ marks a muted one.